Hello, everyone. We are absolutely thrilled that you chose to spend a few minutes of your day with us. It has been well over a week since we ran any interviews with our friends in the writing community, but that finally changes this afternoon with the official return of the Blogger Spotlight series. This blog exists to promote the future of the music industry, and to do that we need input from people like you and your music-loving friends. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact firstname.lastname@example.org and share your thoughts. We can also be found on Twitter and Facebook.
H: Hello there! Please take a few moments to introduce yourself to our readers:
MB: Hi, I’m Mariam (but you can call me Mary), a 22 year-old settled between Paris, France and Brussels (Belgium). I aim to live positively and I’m the co-founder and Editor for Plug-In, which is a European based web magazine.
Hello and welcome to the dawn of a brand new week. We have been planning and working on the content you will see posted in the coming days for the better part of the summer, and to be perfectly honest it is a bit of a relief to know they will all soon be shared with you. This blog exists to promote the future of the music industry, and to do that we need input from people like you and your music-loving friends. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact email@example.com and share your thoughts. We can also be found on Twitter and Facebook.
The internet has changed essentially every aspect of the music business. From the amount of time between an album’s recording and release, to the way news is distributed and the way artists engage with their fans, nothing is the same today as it was even a decade ago. As someone who lived through it all and can clearly remember the days before everything you ever wanted could be found online, I constantly find myself blown away by the amount of change and evolution that has taken place within my own lifetime. It seems anything is possible these days, as long as you’re willing to work for it of course, which is part of motivation behind my decision to feature a relatively unknown band by the name of Knuckle on the blog this afternoon.
About a week ago, I received an email that brought to my attention a new duo from the UK who call themselves Knuckle. The two piece, as the press release explained, met on Halloween night in 2013 and decided to launch a band not long after. Their first single, “Living Hell,” can be enjoyed below:
I don’t know what you felt when you were hearing the song above, but the first time it met my ears I immediately knew Knuckle were onto something great. I reached out for more material, but their publicist informed me the guys only had a few songs completed and were focusing on developing their presence before releasing more music. This is a common response given to people requesting unreleased music, especially when talking about newer artists, but the more I pondered on Knuckle’s need to gain further exposure the more I became fascinated with the way the industry has changed. The members of Knuckle met less than a year ago, but already they have played with internationally recognized groups (Little Barrie), recorded some great songs, and released their first music video. Call me crazy, but there was a time when achieving all that mean you had ‘made it’ in some small way.
Anyone old enough to drive in the United States no doubt has a decent memory of the world before social media. In those days, if your band formed in October you would probably have a minimum of six months, if not more before you began playing shows. As for recording, you either needed to do it yourself with whatever equipment you could find or save enough money to enter an actual studio, but in order to that you first needed to generate income through playing shows. As a result, it was not uncommon to see even the greatest new artists take a year or two or more to find their audience. There was no Twitter to turn to with every thought you have, nor Facebook to post tour dates on. Bands that wanted fans had to hit the pavement and promote. They had to create actual press kits and pay whatever ridiculous postage was charged to get those kits into the hands of every record label, music publication, and management team whose address was available to the public. You may have an EP out six months after forming, but it would not hold a candle to the quality or quantity of content being produced today.
The world has changed since then, however, and whether you think it’s for the better or for the worse there is no denying that we are able to discover new artists and the music they create easier today than ever before. The hard part, at least as far as artists are concerned, is turning that person who discovers their music into an actual, financially supportive fan. That is the place where Knuckle find themselves right now, and it was one of the many things we discussed when I had the opportunity to interview them at the end of last week. You can read highlights from our conversation below.
Knuckle will be working on new music well into the fall, but I expect another single will surface before snow starts to fall. Follow the band on Twitter and Facebook to stay updated on their latest activity. If you have any additional questions, please comment at the end of this post and we’ll do our best to get them answered.
A lot has been written about the supposed dire state of the music industry, but truth be told there are a number of successful and growing companies, including record labels, that are thriving in 2014. In this column we bring together every job opening we can find from the companies responsible for building the future of the business and present them to you, our reader, in hopes of aiding you on your journey to join the global music industry professional family.
Each Sunday we scour the internet for the latest and greatest job postings throughout the music industry. You can help us better serve our community by sending any job openings you find or have to firstname.lastname@example.org. Be sure to include the name of the company hiring, a detailed description of the position being offered, a desired start date, contact information, and any additional supplemental information you feel may be needed.
Senior Publicist (Cashmere Agency)
Job summary: We are seeking results-driven and self-motivated individuals in the public relations department to work daily with Executive team, media outlets and clients; in conjunction with the new media, marketing and production teams. As a member of the Marketing & Communications team, the successful candidate will be instrumental in executing the agencys media relations strategy.
Thank you for joining us for another installment in our our ongoing Journalism Tips series. We started this column as a way to help aspiring writers get their start in music, but over the couple months we have been evolving into a place writers come to have their questions about life in the business answered. Today we are running a special editorial by our very own James Shotwell about the importance of collaboration. If you have any questions about developing as a writer/blogger in music, please do not hesitate email email@example.com and share your thoughts. We can also be found on Twitter and Facebook.
No man or woman is an island. You may believe you can do everything and be everywhere, but the hard truth is that there will eventually come a day when your best simply is not good enough. When those moments arise, and with the way the internet works today those times will likely come sooner than later, your best course of action is to seek out like-minded individuals with whom you can partner and collaborate. Maybe they join your site, maybe you join theirs, or maybe you both drop everything and start something brand new. Either way, there is strength in numbers, especially in the music industry.
I don’t know about you, but I woke this morning with a small spring in my step. The day greeted me with a cool breeze and plenty of sunshine, but something inside me told me the pleasant weather was not the source of my joy. I hopped in the showed and applying shampoo when it hit me: IT IS FRIDAY.
Each and every Friday we like to take a brief break from our regularly scheduled programming to update and reflect on everything happening at Haulix HQ. We are far more than a music blog, as many of you already know, and posts like this give us an opportunity to share more our efforts with all of you.
The past week has been pretty crazy around headquarters. We continued to promote our latest promotional video, as well as the recently unveiled profile system, but the task that took up the vast majority of our time was a new update we’re just about ready to share. Yes, the rumors no one started are completely true, Haulix has another big update coming in just a matter of days and we cannot wait to share the details with all of you. For now, however, we will simply tease the fact that this update deals with something that lies at the core of everything we do here at Haulix. Without it, our company would likely not have survived as long as it has, and with this latest update we hope to secure our position in the industry for many years still to come.
Hello and welcome to the final Advice column of the week. We did not set out to run a series of in-depth editorials over the last few days, but sometimes content develops in ways you never expected. For this particular piece, we became fascinated with the struggles of signed bands and wanted to shed a light on their troubles to help developing artists prepare for the realities of life in the music industry. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact firstname.lastname@example.org and share your thoughts. We can also be found on Twitter and Facebook.
Today I was scrolling through the latest music headlines when I stumbled across a post from my friends at Indie Vision Music that captured my imagination. I Am Empire, a relatively popular rock band signed with Solid State Records, shared a photo on their Facebook page showing a quarterly streaming royalties statement. The image, which you can view below, was not exactly the kind of thing rock and roll dreams are made of:
The band offered an explanation for the image on the original post:
"A glimpse into being an indie artist on an indie label. This I Am Empire royalty statement shows nearly 500,000 internet radio streams/plays on one quarterly statement. Total royalty paid from this portion. $.58 per band member. Spotify streams.. nearly 50,000 streams.. paid $3.35.”
Hello, everyone. Thank you for taking a few minutes out of your day to join us for a little music industry discussion. We were not planning to run this particular feature today, but life has a funny way of telling you what needs to be done when you least expect it (as you will soon learn). If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact email@example.com and share your thoughts. We can also be found on Twitter and Facebook.
I was halfway through an editorial on stage lighting today when a new post from our friend Anthony at The Needle Drop caught my attention. In the clip, a fan wrote to Anthony asking him about his thoughts on cell phone usage at shows, and what he remembers from attending performances before smart phones. I was both fascinated and made to feel extremely old by Anthony’s response, as I had never thought of my life as having been lived in an era now known as ‘pre-smart phone,’ but I was also incredibly intrigued by the notion that such technological advancements have forever changed the way people experience live music. Before I ramble on, however, it’s only right that I share Anthony’s video first:
Hello again, everyone! We usually save our big company updates for the weekend, but given the size of this new feature we thought it best to give our latest expansion a post all its own. If you read our weekly recap last week you may already know what we’re about to discuss, but this explanation will be slightly more in-depth than before. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact firstname.lastname@example.org and share your thoughts. We can also be found on Twitter and Facebook.
One of the biggest concerns we have had in recent months when speaking with clients about their Haulix experience has been the fear of having their press contact information expire or otherwise become useless. You can only set aside so much time to update and reaffirm the information on your contact list, and as the the number of journalists you’re trying to reach grows it becomes increasingly difficult to manage.
We recognize the need for up to date information and easy database management, which is why we have created a new, state-of-the-art profile system that not only allows members of the press to see what labels have them listed as a contact, but also gives them the power to control what email addresses they are contacted at and who can contact them. When a member of the press changes their information that data is then updated on the contact page for every label that has that person listed as a contact.
Hello, everyone. Welcome to the first Advice column of the week. These posts usually involves lists or input from guest contributors, but today we are offering an editorial about lessons learned while watching on of the greatest living rock bands perform in West Michigan for the very last time. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact email@example.com and share your thoughts. We can also be found on Twitter and Facebook.
I traveled halfway across the country a few weeks back to see a concert I could have very easily witnessed in my home city of Boston. It was the opening night of Motley Crue’s final tour, however, and I could not miss the opportunity to be present for the beginning of the end for one of America’s most iconic and outrageous bands. The show was incredible, spanning more than two hours and featuring songs from across their 33-year career, but it was not a night without fault. In fact, there were so many flaws that many people in the arena started to leave. I learned a lot though, including why so many people respect a band that has prided themselves on debauchery for over three decades.
Hello and welcome to the beginning of a new week of music industry insight and conversation. We are beyond thrilled to have you joining us this afternoon, and we certainly hope you stick around for all the content we have planned in the days ahead. The piece you’re about to read is one that took ten years to create, but we’ve only been working on it for about a month. If you have any questions about the content in this article, or if you have an artist you would like to see featured on this blog, please contact firstname.lastname@example.org and share your thoughts. We can also be found on Twitter and Facebook.
There was a time in 2001 when I thought the world would never be without the band known as CrazyTown. Having risen out of virtually nowhere, this California based rock outfit had taken top 40 radio by storm with a little song called “Butterfly,” and in doing so managed to sell more than six million copies of their debut album (The Gift Of Game). You could not be in public for more than twenty minutes without hearing frontman Shifty Shellshock’s voice crooning “Come my lady, come, come my lady” from every car stereo, bodega radio, and department store sound system in the country. If you somehow made it this far in your existence without experiencing it, now is the time to change you life:
In 2004, things took a wild turn when CrazyTown began butting heads with their label over the material being created for their Sophomore release. The execs wanted another “Butterfly,” but anyone familiar with the band’s catalog can tell you that song was an oddity from day one. It was never meant to define the sound of the band, and they were determined to stick to that plan with their latest record. They got their way, but for whatever reason the album was not given the kind of major promotional push their debut effort had received. Months later, the band was dropped.
Frustrated by their experience on a major label, not to mention the overall decline of the industry as a result of digital piracy, the members of CrazyTown decided to take a short break, allowing everyone the chance to pursue other projects. That short break quickly turned into a decade, but after years of demand the band is finally back together and quickly wrapping up production on a brand new release. Having seen the highs and lows of life in the industry, we knew we had to ask the guys about their experience coming together once again, and to our surprise founding member Bret “Epic” Mazur was more than happy to write an in-depth editorial about the behind-the-scenes things that have to happen in order for a band to reunite. It’s fun and informative, both for fans of the band and those thinking of restarting their own, long forgotten projects. You can find his thoughts below.
CrazyTown have only played a handful of shows since announcing their reunion, but we expect to see them playing many more cities in the months to come. Before we get to the interview, take a few moments to hear some of the band’s latest material: